During this fast-paced weekend course, you will be hands-on and inky and learn all aspects of letterpress printing.
Each session will be jam-packed with information, from how to set up printing presses, how to achieve the best possible print, where to source machines, maintenance advice, history of letterpress, and other tips that can be used across many other printing disciplines.
During the sessions, you will learn how to handle and set type, as well as different inking techniques and effects. You will learn about the fundamentals of design and composition with type, utilise a selection of the tutor’s own woodblock type collection, print your own unique poster/s and use the tutor’s 1950’s George Pallister Proofing press or West Dean College’s very own Farley or Albion presses.
Over the course you will create:
A custom edition of Letterpress print/s
Print and hand bind a personal notebook
Print some ephemeral items for you to take home
By the end of the course, you will have learnt many letterpress printing skills for use in your future creative endeavours.
Arrival Day - this is the first date listed above
Courses start early evening. Residential students to arrive from 4pm, non-residential students to arrive by 6.45pm.
6.45pm: Welcome, followed by dinner (included).
8 - 9pm: First teaching session, attendance is essential.
Classes 9.15 - 5pm, lunch is included.
From 6.30pm: Dinner (included for residential students).
Evening working - students may have access to workshops, but only with their tutor's permission and provided any health and safety guidelines are observed.
Classes 9.15am - 3pm, lunch is included.
Residential students are to vacate their rooms by 10am please.
(This timetable is for courses of more than one day in length. The tutor may make slight variations)
Tom Boulton studied typographic design at the London College of Printing then became a self-taught letterpress printer. With over ten years’ experience he has been commissioned by the likes of Tate Modern, Fortnum and Mason, Southbank Centre and The Design Museum. He has features in publications such as Creative Review, The Telegraph and Country Living, and has won a D&AD award.