Learn how to observe and record your sensory experiences of
walking through the landscape using different drawing techniques.
From your primary studies experiment with mark-making, materials,
ideas and chance encounters. Develop the skills and tools to
produce drawings in and out of the landscape, that will inspire and
transform your work.
Artists in the past looked at the landscape and drew it as they saw it, and sometimes they interpreted it. On this course you will learn how to interpret the landscape using experimental drawing techniques and tools. The tutor will help you to discover ways to express your sensory experiences in the landscape through drawing.
There is no better way to experience the landscape than to walk into it. Through guided daily walks (you need to be able to walk unaided through the countryside) you will be provided with sensory prompts to begin your drawings. The tutor takes you step by step through a set of drawing exercises in which you use chance and control to generate works. You will be encouraged through different ways of drawing. You will be taught how to use line, tone, form and pattern and gain confidence and understanding on how to best use them. The process of drawing itself will be studied as you reflect on your experiments and expressions and build confidence in your approach.
You will record many aspects of the landscape refining your observational skills, and use of your senses to produce artwork. You will also be taught how to work from memory using your bodily experience of the landscape. You will learn to work with unusual mediums, mark making and tools to create exciting outcomes. You will be inspired to forget about the everyday as you are alerted to your surroundings environment both in and out of the studio with a clear mind.
You will use aspects of the landscape to work with directly in your drawings. You will be encouraged to develop and find ways to draw into the landscape, and to make drawing interventions in the landscape. The course embraces ideas of in situ expression. You will have the chance to discuss your ideas in groups and individually with your tutor.
Ian Odin and Jackie Herrington have worked in and for the wider estate for over 30 years. They will join us for two of the walks. Both have knowledge and experience of the locations and provide an additional resource of information about land, history and signifiers to help you in your research.
At the end of the course, you will have developed your own way of responding to the landscape. You will have been on a personal journey and produced a series of drawings. You will be able to use walking as a way to generate and inspire artwork. You will have learned to draw from memory, and be able to translate the experience of the landscape into drawings.
Several evening events are planned throughout the week, a detailed timetable for your summer school week will be given to you on arrival. This will include:
Special Summer School features:
• Short inspirational talks by tutors and displays of their work
• A swap-over session to another course of your choice
• An optional evening at the Chichester Festival Theatre (pre-booked)
• A celebration with dinner, entertainment and music
• Workshop displays of students' work and informal end-of-course group reviews
Timetable for Summer Schools
Several evening events are planned throughout the week, a detailed timetable for the summer schools will be given to you on arrival.
Residential students to arrive from 4pm, non-residential students to arrive by 6.45pm.
6.45pm: Welcome, followed by dinner (included).
8 - 9pm: First teaching session, attendance is essential.
Classes 9.15 - 5pm, lunch is included.
From 6.30pm: Dinner (included).
Evening working - students may have access to workshops, but only with their tutor's permission and provided any health and safety guidelines are observed.
Classes 9.15am - 3pm, lunch is included.
Residential students should vacate their rooms by 10am please.
Caroline Wendling trained at ESAD, Strasbourg, France. She is an experienced printmaking teacher and ran Gainsborough's House Print Workshop for twelve years. Her residencies include Cambridge School of Art, Wysing Arts Centre and Deveron Arts where she created White Wood. She is the recipient of several Arts Council England Grants, and has been shortlisted for the Saltire Art in Public Places award.