Learn to identify opportunities in light, subjects, patterns, tones and forms. Enhance your graphic awareness and grasp key compositional principles to stimulate your personal vision in photography. For DSLR users.
Learn to see creatively by identifying the opportunities that light, subjects, patterns, tones and forms present to you as a photographer. This introductory course for DSLR camera users will raise your graphic awareness and encourage you to understand and fully exploit the essential compositional and lighting principles that will stimulate your personal vision and advance your portfolio.
In our technology dominated 21st century, we can all too easily become seduced into believing that without much forethought or input from us, our incredibly sophisticated digital imaging equipment will do all the hard work and produce photography competition winners for us. Whilst it is true that with recent advances in capture technology, producing well-focused, well-exposed images has become much easier (and understanding these technical matters is an essential part of photography) none of it is as crucial as being able to see creatively in the first place.
Creative vision is so much more than merely noticing a good view, identifying good light or spotting a good subject. Without a fundamental understanding of compositional principles, as well as knowing the advantages and limitations of your equipment and the images it can (or cannot) produce, these elements will not necessarily, effortlessly or routinely convert into successful photos.
Personal vision and the previsualisation abilities that accompany it are what make each of us unique as photographers. This course will encourage you to identify, enhance and refine these aspects of your skillset so you can consistently identify and produce compelling shots.
Part of seeing creatively is developing the expertise to combine all the best visual elements of a scene and mastering the skills to produce an effective graphic conversion from a three-dimensional view into a convincing and flattering two-dimensional final image.
The tutor aims to make best use of the weather and light conditions on this weekend, if the opportunity arises, and subject to group approval, we may make an early excursion out of the College to the coast, with a early start on Saturday morning (at pre-5am).
Throughout the course, you will strengthen and augment your photographs by learning how to:
•Recognise compositional structure
•Exploit rules of composition
•Use lines, forms and patterns
•Identify the right light
•Create visual balance
•Generate positive tension
•Choose the right focal lengths
And by taking control of:
•Depth of Field
•Field of view
•Point of view
•Compression and expansion
•Inclusion and exclusion
Once mastered, seeing creatively becomes an instinctive, natural part of the way you routinely process visual information and mentally convert it into graphic opportunity. You will start seeing the world differently as you develop your personal vision; your photographer's eye will evolve and, as time passes, will become a continuous and mutable source of inspiration.
The course will combine demonstration, presentation and practical tasks on location with the use of Adobe image interpretation software in the digital photography studio, where we will apply apposite enhancements to the images that you acquire during the course.
Arrival Day - this is the first date listed above
Courses start early evening. Residential students to arrive from 4pm, non-residential students to arrive by 6.45pm.
6.45pm: Welcome, followed by dinner (included).
8 - 9pm: First teaching session, attendance is essential.
Classes 9.15 - 5pm, lunch is included.
From 6.30pm: Dinner (included for residential students).
Evening working - students may have access to workshops, but only with their tutor's permission and provided any health and safety guidelines are observed.
Classes 9.15am - 3pm, lunch is included.
Residential students are to vacate their rooms by 10am please.
(This timetable is for courses of more than one day in length. The tutor may make slight variations)
You need to be familiar with using a computer. A core understanding of Adobe Photoshop or Lightroom is preferable, but not essential. A note of your Adobe ID login, may be useful.
Is an internationally published landscape photographer and OPOTY 2015 finalist with over thirty-five years' photography experience. A private tutor and group leader, dedicated to celebrating the beauty of the UK coast and countryside, his work regularly appears in the UK and across the globe in major newspapers, magazines and on-line editorial galleries.