Gain confidence in the value of your ideas and concentrate on
following and developing personal inspirations. Janet will
illustrate how diverse ideas can be linked to create a unique and
personal piece of work. Throughout the course you will explore the
freedom of stitching by hand, and directly with the materials
The main aim of this course is to give you the confidence to trust in the value of your own ideas. We will explore any working preferences and look into developing new ones to nurture a personal voice. The emphasis will be on individual tuition, although many ideas will be opened up in general discussion throughout the course. Please give some thought, before you come, about ideas you want to develop on the course.
The linking together of very diverse personal likes and dislikes will be discussed. These may have been gathered from works executed in many different mediums. By looking carefully we can see if we can find any recurring links, sometimes these can be found to range right back to childhood delights and enthusiasms. We will also follow the inspirations and working methods of various well known artists.
On a practical level the emphasis will be on what you chose to place where within a composition. This activity will be the one that will be allowed to take the most time, allowing the enjoyment of the journey to pervade the whole course. Practical help will be give by demonstrating the many ways in which this can be achieved using the most simple of hand sewing techniques, no knowledge of particular and precise embroidery or quilting techniques are needed. The selection of materials with particular qualities suitable for different aspects of the construction will be given.
Janet will also demonstrate her particular way of cutting out and sewing down each element, taking into account its position within the composition. She will describe how this is the stage at which the final 'drawing requirements' will be made, including the use of stitch as a drawn line, or to add texture. She will also demonstrate how your original idea can be allowed to change, develop and take on a life of its own from beginning to the end, how the composition and construction can develop together hand in hand, exciting to the very last stitch.
The course will end with suggestion and practical advice on how to present your work. This will be followed by a general discussion on how your ideas have changed and developed throughout the course. Most students will complete at least one piece, but this is not a priority.
Arrival Day - this is the first date listed above
Courses start early evening. Residential students to arrive from 4pm, non-residential students to arrive by 6.45pm.
6.45pm: Welcome, followed by dinner (included).
8 - 9pm: First teaching session, attendance is essential.
Classes 9.15 - 5pm, lunch is included.
From 6.30pm: Dinner (included for residential students).
Evening working - students may have access to workshops, but only with their tutor's permission and provided any health and safety guidelines are observed.
Classes 9.15am - 3pm, lunch is included.
Residential students are to vacate their rooms by 10am please.
(This timetable is for courses of more than one day in length. The tutor may make slight variations)
Janet Bolton exhibits and teaches worldwide. She has work in both public and private collections, and has published books for both adults and children, the latest being Fabric Pictures: a Workshop with Janet Bolton. She is a member of Contemporary Applied Arts.