West Dean College of Arts and Conservation has an international reputation as a centre of excellence for the Creative Arts and Conservation. Across the Schools of Arts and Conservation, the role of research is essential in underpinning the College's academic ambitions. It helps West Dean to be at the forefront of the specialisms it supports, positively impacting it as a teaching and learning environment. Research projects are key to establishing new and innovative practices. They emphasise the importance of skills-based making and conservation, as well as demonstrating the value and scope of interdisciplinary collaboration. Research at the College not only benefits students, staff and specialist audiences but also wider academic communities and the public.
The College is privileged to be on a site of historic significance, concerning both the heritage of the West Dean Estate and its more recent associations, with the life and work of its founder, Edward James. As a small specialist college, its core concern is the practice, history and theories of creative arts and conservation practice. Both the Schools of Arts and Conservation characterise the academic infrastructure and support the College in both discipline-specific and interdisciplinary discourse and development. West Dean College of Arts and Conservation is dedicated to supporting research in and across the subject areas of conservation, making, fine art and creative writing, as well as engaging with the wider research community, both nationally and internationally.
Our core research goals are to:
The Conservation Research Group supports research into the conservation of cultural heritage by conservators, curators, academics, and full-time students related to the conservation disciplines studied at West Dean College (books and library materials; metals; clocks; ceramics, stone, and glass; furniture and decorative objects). The Group facilitates symposia, seminars and research fora into all aspects of interventive and preventive conservation, as well as conservation science. It also coordinates the Conservation Research Fellow programme.
The Group aims to encourage and develop research activities amongst the academic staff, to take full advantage of the facilities and equipment at West Dean to take active part in the development of new techniques, knowledge of materials science, and generally furthering understanding and interpretation of heritage. Such activities enrich the learning environment for students and provide future opportunities for meaningful impact in the conservation community.
The Tapestry and Textile Art Research Group facilitates exchanges between academics, professional weavers, artists and full-time students interested in questions of tapestry and textile art practice. The Group explores, through seminars, symposia and practice-based research, various aspects of the creative, material and technical processes involved in the field of tapestry and textile art from both historic and contemporary perspectives.
The aims of the Group are to enable members to develop their contextual, practical and theoretical understanding of tapestry and textile-based work. This is achieved both through examination of existing practices and through discussion with colleagues from diverse backgrounds, deepening wider historic and theoretical research interests. The core group comprises a small number of staff from the West Dean Professional Tapestry Studio and students and staff from the full-time Visual Arts programme, which supports specialisms in hand-woven tapestry and textile art practice.
Image: What I Want 2014 by Eva Rothschild winner of West Dean Tapestry Commission Open Call 2016.
Research group contacts:
Alison Baxter, Head of School of Arts
Research interests: Small-Scale Textiles, Jewellery
The Edward James Research Group is committed to supporting the research activities of academics, conservators, artists, art historians, and full-time students interested in the legacy of West Dean College's founder, Edward James. Through research fora, seminars, symposia and practice-based research the group explores various aspects of James' activity, including visual art, Surrealism, conservation, poetry and fiction writing, horticulture, architecture, patronage, musical composition and dance. The Edward James Research Group encourages engagement with James studies from both historic and contemporary perspectives.
The aims of the Group are to enable members to develop their understanding of Edward James' life and work, and further establish West Dean College of Arts and Conservation as a unique and supportive environment for study across the creative arts, conservation and making. This is achieved both through close examination of existing research material and through discussion with colleagues from diverse backgrounds to deepen the wider historic, theoretical, and practice-based research interests. As such, it provides access to innovative thinking and establishes networking opportunities for College staff, students and visitors alike.
The Group organises the Edward James Research Programme, an on-going series of academic and educational events open to the public, and supports study visits to the college from external researchers. The group also liaises closely with the college's Artist-in-Residence programme.
Research Group contacts:
Dr. David Stent, Subject Leader - Fine Art, Chair of Research Forum
Research interests: Artists' Publications, Theory and Philosophy in Contemporary Art
Teresa Shergold, College Librarian
Research interests: Artists Books, Performance Art, Dance
Sarah Hughes, Subject Tutor and Curatorial Assistant
Research interests: Sculpture, Composition, Avant-Garde, Post-Cagean Aesthetics
Robin Sheehan, Clerk of Works
Research interests: Historic Building Conservation, Architectural History, Building Archaeology