Jo McAllister
Jo is an award-winning studio jewellery artist. She has worked in and with the landscape using wild tools since 1999, on her BA at The Cass followed by an MA. She is a regular exhibitor at Goldsmiths’ Fair.
Ref: SWE31681
Work outside in the landscape with wild tools, using the simplest of tools and working methods. The course starts with a short presentation on how the landscape has inspired the way your tutor works. You will then look at the landscape and discuss with the tutor how you will make a small object or wearable piece from a square of fine silver sheet.
You will be encouraged to look at things a little differently, with an exercise provided by your tutor. You will look at what you’ve brought along with you or found on your walk, and define the essence of what interests you through questioning and discussion.
You will initially work with paper/card to investigate proportion and form. Through deconstruction and pattern making, you will translate your work from paper/card to sheet metal using the simplest of hand tools, such as shears, bow-drills and emery papers to cut, pierce, smooth and burnish. Your tutor will demonstrate where necessary.
You will take your precious metal outside and use suitable wild anvil surfaces and natural hammer tools to create unusual textures. Heat from portable gas torches will be used to anneal the metal after work-hardening, whilst you work in the wild.
You will review what you have achieved and finalise with cold connections, such as tabs and slots, rivets or stitching needed to achieve your desired outcome. At the end of the course, you will look at and discuss what you have achieved with the group.
By the end of the course, you will have:
Worked from sketches and paper/card models
Worked metal in the wild to hammer, form and burnish edges using found tools
Used cold connections
Created a fine silver object or wearable object using the simplest of tools and working methods
The course is suitable for all. If you have metalsmithing experience, you may find this alternative way of working will prompt new ways of thinking and working that prove challenging and liberating.
N.B. You must be able to walk a reasonable distance unaided and with sure footing, and clamber about a bit.
Arrival Day - this is the first date listed above
Courses start early evening. Residential students to arrive from 4pm, non-residential students to arrive by 6.45pm.
6.45pm: Welcome, followed by dinner (included).
8 - 9pm: First teaching session, attendance is essential.
Daily timetable
Classes 9.15 - 5pm, lunch is included.
From 6.30pm: Dinner (included for residential students).
Evening working - students may have access to workshops until 9pm, but only with their tutor's permission and provided any health and safety guidelines are observed.
Last day
Classes 9.15am - 3pm, lunch is included.
Residential students are to vacate their rooms by 10am please.
(This timetable is for courses of more than one day in length. The tutor may make slight variations)
Jo is an award-winning studio jewellery artist. She has worked in and with the landscape using wild tools since 1999, on her BA at The Cass followed by an MA. She is a regular exhibitor at Goldsmiths’ Fair.
Residential option available. Find out accommodation costs and how to book here.
Places available - Book now
Places available - Book now
Places available - Book now
Our Foundation Degree in Metalwork will enhance your employment prospects, give you the skills to set up as a self-employed craftsperson or allow you to continue to higher education. Encompassing both silversmithing and blacksmithing, you will learn practical skills, material properties, placing your work in a broader context and historic metalworking techniques. Find out more