For many artists the real subject of painting is light and colour. These two interlinked elements create the mood, space and form within a pictorial world. Mostly this has been seen as a daytime practice, with the direct or ambient sunlight modelling highlights and shadows. However there is an alternative nocturnal approach, which has fascinated artists such as Domenichino, Salvator Rosa, Turner, Atkinson Grimshaw, Bonnard, Nash and Klee. For example the lunar light of a full moon which utterly transforms the usual perception of chromatics and produces strange, unexpected relationships between tone and hues. Nocturnal light is obviously slight when compared to daytime levels but as the pupils adjust the imagination steps in to generate new sensations and interpretations which radically liberate our mark-making and colour sensibility.
You will explore working with the margins of daylight at dawn and dusk, as well as what it means to work in full darkness or by candlelight. There will be sessions reworking nightscapes from memory the following day. This is in every way an adventurous and experimental course that aims to produce extraordinary works of power and subtly. It would be ideal for people who want to find a new and unexpected side to their creativity.
You will look at specific aspects of colour theory, tonality, and mark-making. The timetable for the course will be highly unusual so we are unlikely to eat breakfast or dinner at routine times. There will be a rest period during each day to compensate for our extended sessions in the evenings and early mornings.
Please bring warm wet weather clothes and boots/waterproof shoes, hat and fingerless gloves as it is still cold this time of year.
CHANGES TO THE STANDARD TIMETABLE:
Arrive from 4pm, meet in the bar at 6.45pm for dinner at 7pm.
7.30pm–9pm – After dinner, extended first teaching session – attendance is an essential part of the course. Practical sessions drawing outside with oil pastels, oil markers, pencils on black paper.
6–8am – Drawing before breakfast
8.30am – Breakfast provided for residential students (*non-residential students please see note below)
12.45pm – Lunch
2pm – Afternoon class
4pm – Tea
4.30–6pm – Dusk drawing
From 6.30pm – Dinner provided for residential students (*non-residential students see note below)
7.30–9.30pm – Night drawing
(Residential students to vacate rooms by 10am)
6–8am – Drawing
8.30am - Breakfast provided for residential students (*non-residential students see note below)
12.45pm – Lunch
2pm – Final review of course work and individual directions – very important session
3pm – Classes finish, please vacate workshop by 3.30pm
3.30pm – Tea then departure
*Please note: non-residential students requiring breakfast or dinner can either book this in advance with the Bookings Office or online at the same time as booking the course online.
We appreciate that you will need to have periods of rest in the mornings and afternoons before the night time sessions, but you will be free between to continue working on previous projects.
Arrival Day - this is the first date listed above
Courses start early evening. Residential students to arrive from 4pm, non-residential students to arrive by 6.45pm.
6.45pm: Welcome, followed by dinner (included).
8 - 9pm: First teaching session, attendance is essential.
Classes 9.15 - 5pm, lunch is included.
From 6.30pm: Dinner (included for residential students).
Evening working - students may have access to workshops, but only with their tutor's permission and provided any health and safety guidelines are observed.
Classes 9.15am - 3pm, lunch is included.
Residential students are to vacate their rooms by 10am please.
(This timetable is for courses of more than one day in length. The tutor may make slight variations)
Mark had an eclectic training which has influenced his broad range of media and working processes. He is particularly interested in colour and markmaking which he has explored in glass, textile, printed books, murals and traditional materials.