Printmaking

Paper drypoint printmaking with Mary Dalton

Ref: SWE09031

Suitable for all

£259.00
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About this course

Using this versatile and expressive print method, explore mark-making, texture and emotion through the use of everyday tools. Techniques include collaged dry-point, creating tone, monochrome and colour.

Course Description

Using this versatile and expressive print method, explore mark-making, texture and emotion through the use of everyday tools. Techniques include collaged dry-point, creating tone, monochrome and colour.

On the first evening you will be viewing and trying a range of mark making techniques using the card. Mary will bring examples to illustrate the textures achievable so you can go away thinking how the marks can integrate with your ideas.

You will explore the exciting potentials of using dry-point card to create images. The card lends itself to a variety of expressive marks, from the drawn line to tonal work, from imprinted textures to unpredictable surfaces. The card is a very expressive and versatile medium suited for all those from beginners to experienced printmakers.

You will look at printing in mono-chrome and explore how to introduce colour and texture to the printed works. Although editioning will be discussed, you will be focussing on unique prints, pushing the potentials of the card to its limits.

We will start the course with some group projects to get everyone engaged and under way with the printing process, which uses an etching press. If you have never used a press, support from Mary will always be on hand to make sure you feel confident. Mary will work with you individually to help you to pursue the elements of the dry-point card you find the most engaging and exciting. Regular discussions will be held amongst the group to share, review and explore ideas further.

This will be an involved and intuitive course. Drypoint card is a medium that can be used and developed by any creative, whether experienced or novice. It is forgiving yet challenging, and most importantly lots of fun.

Timetable

Arrival Day - this is the first date listed above

Courses start early evening. Residential students to arrive from 4pm, non-residential students to arrive by 6.45pm.

6.45pm: Welcome, followed by dinner (included).

8 - 9pm: First teaching session, attendance is essential.

Daily timetable

Classes 9.15 - 5pm, lunch is included.

From 6.30pm: Dinner (included for residential students).

Evening working - students may have access to workshops, but only with their tutor's permission and provided any health and safety guidelines are observed.

Last day

Classes 9.15am - 3pm, lunch is included.

Residential students are to vacate their rooms by 10am please.

(This timetable is for courses of more than one day in length. The tutor may make slight variations)

Course Materials

Included

  • The cost of providing inks shared amongst the group, and some basic materials to get started.

What students need to bring

  • Bring any line and tonal drawings you have as they are useful inspiration. You are also invited to collect any flat textured surfaces (e.g. coarse sandpaper, lave, twine etc). We can use these to add surface texture to printing plates.

Available to buy

  • Scrim
  • Inks
  • Pva glue
  • Brushes
  • Scissors
  • Scalpels
  • Pencils etc
  • Printmaking paper
  • Tissue paper
  • Sandpaper
  • Additional materials available to purchase from the tutor during the course: Drypoint card, collage papers, tissue paper, etching needles, sandpaper .

Tutors

Mary Dalton

Mary trained at the Royal College of Art, graduating with an MFA in Printmaking. She has been teaching since 2008, including running the lithography studio at the famous Curwen. Her work is in the collections of the Imperial War Museum and the Tate Library as well as international museums.

Accommodation

Residential option available. Find out accommodation costs and how to book here.

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