Whether you want to make pots to use, or individual abstract
pieces, the wheel is a fantastic method of making forms which
express a personality or the maker's creative voice. You will
develop your understanding of the potential of clay to express
ideas through form, surface, technique, skill and knowledge.
Suitable for anyone who has developed throwing skills and wants to
be able to make work that is individual and expressive.
This course is suitable for anyone who has developed throwing skills and wants to be able to make work that is more individual and expressive. This sounds so easy but as many of you will know, actually developing thrown forms that have their own personality is more difficult than it seems. There are so many options, so many materials and techniques that you like, how do you decide what to do?
The key is in developing a visual language through which you learn to identify your own criteria. This can take the form of a sketchbook where you make notes and diagrams, collect images, and draw, or it can be in an electronic format such as pinterest or instagram.
You will begin to ask yourself what is it that makes your ceramic work belong to you? What does the touch of a hand or the imprint of a tool say about the person who created the object?
This course is aimed at helping you develop a range of wheel thrown ceramic pieces that are individual by increasing your understanding of the potential of clay to express ideas through form, surface, technique, skill and knowledge. Learning to appreciate the many properties that clay can have, the many personalities it can embody, from refined forms to bold aggressive vessels, from beautiful bowls to constructed abstract pieces, the choice is yours.
• You will be able to use a range of 2D and 3D processes and techniques to help you identify the personal characteristics you want to articulate in your ceramic work.
• You will develop confidence in making a wide range of decisions when throwing and turning clay on a wheel which enable you to create forms that have meaning to you.
• You will gain an understanding of surface in relation to form by experimenting and exploring throwing techniques and by developing a range of appropriate ceramic finishes.
• You will develop a critical approach to the analysis of ceramic form, surface and style by examining examples of work made by a range of potters.
By the end of the week you will have a selection of fired samples, a group of ceramic pieces which can be taken home or fired at the College and a visual resource from which you can develop future work.
Several evening events are planned throughout the week, a detailed timetable for your summer school week will be given to you on arrival. This will include:
Special Summer School features:
• Short inspirational talks by tutors and displays of their work
• A swap-over session to another course of your choice
• An optional evening at the Chichester Festival Theatre (pre-booked)
• A celebration with dinner, entertainment and music
• Workshop displays of students' work and informal end-of-course group reviews
Timetable for Summer Schools
Several evening events are planned throughout the week, a detailed timetable for the summer schools will be given to you on arrival.
Residential students to arrive from 4pm, non-residential students to arrive by 6.45pm.
6.45pm: Welcome, followed by dinner (included).
8 - 9pm: First teaching session, attendance is essential.
Classes 9.15 - 5pm, lunch is included.
From 6.30pm: Dinner (included).
Evening working - students may have access to workshops, but only with their tutor's permission and provided any health and safety guidelines are observed.
Classes 9.15am - 3pm, lunch is included.
Residential students should vacate their rooms by 10am please.
FIRING AND GLAZING OPTIONS
1. Leave any raw, finished pieces that you wish to keep, for biscuit firing, basic glazing and re-firing by the College, for collection within six months.
2. Leave raw, finished pieces for biscuit firing at the College. You can then book a place on a Glazing Day and glaze your own work (allowing 4 weeks for your work to be biscuit fired). This work will be re-fired after glazing and available for collection within six months.
3. Take away your unfired pots for firing and glazing elsewhere.
Kyra Cane studied Ceramics at Camberwell College of Arts, she has taught and examined on numerous courses, notably Harrow Ceramics, University of Westminster. Her work is exhibited in national and international galleries. She has written a book about Making and Drawing and is currently Chair of the Craft Potters Charitable Trust.