You will be exploring and studying the beauty of texture found in nature, and then translating this into glass by making an imprint with loose plaster to be used as a shallow mould. Inspiration and leaves can be found in West Dean Gardens. You will be using clear and coloured fusing glass (Bulls Eye-Tekta) to optimise the translucency and the textures. Also, you will be using sandblasting and silver foiling to add textures.
On the first night, the tutor will explain the process and you will shallow cast a few small samples in glass, to be fired overnight (squares and leaf shapes).
The following morning, the tutor will be showing work inspired by nature, both by other glass artists and herself, before looking for objects with interesting textures in West Dean Gardens. We will discuss the samples made the previous night. You can then start designing your panel (23 x 23cm) either by drawing on paper or by imprinting the leaves directly into the loose plaster on a kiln shelf. You can either drill holes in the panel for hanging, or you can curve the panel in the final firing so it becomes free-standing. We will also be cutting leaf shapes out of glass (coloured or clear). The leaves and the panel will be fired at the end of the day on top of the imprinted plaster.
On day two, you will explore the sandblasting process. The tutor will show examples of work by other glass artists and herself. You will use the samples and glass leaves made on the first night. By masking certain areas, you can create an interesting matt/shiny surface through sandblasting. After lunch, the panel and the leaves are taken out and sharp edges will be ground down to create a smooth finish. It will be returned to the kiln for a further firing to create a flat hanging panel, keeping the imprint intact, or it can be curved over a mould; the same process is done with the leaves. The tutor will also be showing how to silver or copper foil glass.
On the final day, you can design the sandblasting pattern and mask the glass textured panel accordingly. The curved leaves can either be sandblasted or silver foiled, or both. After lunch, you will discuss the outcome and wire up the leaves and the panel for hanging. In addition to the panel, all samples can be taken home and used as coasters (squares) and the glass leaves can be hung.
Arrival Day - this is the first date listed above
Courses start early evening. Residential students to arrive from 4pm, non-residential students to arrive by 6.45pm.
6.45pm: Welcome, followed by dinner (included).
8 - 9pm: First teaching session, attendance is essential.
Classes 9.15 - 5pm, lunch is included.
From 6.30pm: Dinner (included for residential students).
Evening working - students may have access to workshops until 9pm, but only with their tutor's permission and provided any health and safety guidelines are observed.
Classes 9.15am - 3pm, lunch is included.
Residential students are to vacate their rooms by 10am please.
(This timetable is for courses of more than one day in length. The tutor may make slight variations)
Aline Johnson works from her London studio at Cockpit Arts. After a career in fashion she trained as a postgraduate student at Central St Martin's in glass. She works mostly on glass lighting commissions in collaboration with architects and interior designer. She sells her work though craft shows and started teaching at West Dean in summer 2015.