Course Description

Learn a sculptural approach to hand-building techniques, incorporating your ideas and developing your skills as you go. You will create a series of large hand-built structures that can feature a range of different methods of making. You will learn how to manipulate clay in various ways, using formers, moulds and extruded shapes, and building with different types of coils, slabs and fragments of clay.

You will also have the opportunity to experiment with different textures, incorporating embossed and printed decoration and embedding other materials into the clay surface. Oxides and body stains can then be used to enhance the surface of your finished forms. This will give you the option to fire the pieces once, directly to stoneware if you wish. You will need to work to the dimensions of the kilns available, but also look at the options of how to make work in components or sections to achieve larger pieces and tackle the solutions to joining the pieces post-firing.

By the end of the course, you will have a repertoire of different approaches at your fingertips so that you can develop and build large forms with confidence.

Timetable

Arrival Day - this is the first date listed above

Courses start early evening. Residential students to arrive from 4pm, non-residential students to arrive by 6.45pm.

6.45pm: Welcome, followed by dinner (included).

8 - 9pm: First teaching session, attendance is essential.

Daily timetable

Classes 9.15 - 5pm, lunch is included.

From 6.30pm: Dinner (included for residential students).

Evening working - students may have access to workshops, but only with their tutor's permission and provided any health and safety guidelines are observed.

Last day

Classes 9.15am - 3pm, lunch is included.

Residential students are to vacate their rooms by 10am please.

(This timetable is for courses of more than one day in length. The tutor may make slight variations)

Course Materials

Included

• The cost of clay/glazing materials and firing costs of work made – large work in size and quantity may be charged extra.

What students need to bring

• Bring along ideas and images of forms and structures that inspire you, this can include artists who work in very different mediums – painters, architects and sculptors for example. Collect textures and found objects, which can be manmade or natural. These can be used to create stamps and directly emboss the clay surface.
• If you plan to take your unfired work away with you, bring plenty of boxes and packaging/bubble wrap to ensure they are protected for the journey home.
• Please bring along your sketchbook and camera to document your progress and record your experiments.
• Apron
• Pottery tools if you own them

Available to buy

• Available from shop:
• Notebooks and sketchbooks
• Available from tutor:
• An assortment of textures and materials to experiment with and incorporate into the clay. Images and reference of different approaches by different makers. Additional moulds and formers to use when constructing work. Printed sheets and information of all the processes covered.

Firing and glazing options: 1. Leave any raw, finished pieces that you wish to keep, for biscuit firing, basic glazing and re-firing by the College, for collection within six months. 2. Leave raw, finished pieces for biscuit firing at the College. You can then book a place on a Glazing Day and glaze your own work (allowing four weeks for your work to be biscuit fired). This work will be re-fired after glazing and available for collection within six months. 3. Take away your unfired pots for firing and glazing elsewhere.