Painting - Subject Led

Contemporary watercolour painting with Steve Humble

Ref: S3D10432

Intermediate/Advanced

£381
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Places available

About this course

Working with your own choice of subject and referencing the work of various contemporary watercolour painters, extend your own approach and understanding. Using exercises and tutorials, develop your responses to both subject and materials.

Course Description

Through your own painting practice in watercolour, you will be encouraged to develop your technical skills with the medium and to extend your responses to your subject matter, whilst exploring your understanding of contemporary painting and the use of watercolour within it.

Using exercises, you will develop technical approaches to your work. Exercises may invite you to work in a particular way or with a specified approach or materials, or both. Exercises may involve drawing, painting, writing, or a combination of these.

By looking at examples of other artists’ work, you will be introduced to various contemporary painters and working methods. The aim is to show a range of possible strategies, which you might employ in your own work. This will also help to develop your understanding of watercolour as a contemporary medium and inspire your own thinking.

Through group discussions and individual tutorials, you will be pushed to extend your thinking and conceptual approaches. You will be required to engage in individual reflection in relation to your practice. Group tutorials will be used as a way of introducing new ideas, to summarise progress in the context of collective feedback and thought, and to develop your understanding of your painting practice within the context of contemporary painting generally. The concept of reflective studio practice will help you to develop the notion of critical thinking in relation to your work.

The course is couched within the broader art-historical context of watercolour painting - you will be asked to consider your practice in relation to this history, changing notions of watercolour as a medium, and the innovative use of watercolour as a contemporary painting medium.

By the end of this course, you will have increased knowledge and understanding of your approach to watercolour painting, your conceptual thinking around the medium and begun to be a reflective studio practitioner. You will have improved the handling of your materials and started to understand your watercolour work within the broader context of contemporary art history.

Timetable

Arrival Day - this is the first date listed above

Courses start early evening. Residential students to arrive from 4pm, non-residential students to arrive by 6.45pm.

6.45pm: Welcome, followed by dinner (included).

8 - 9pm: First teaching session, attendance is essential.

Daily timetable

Classes 9.15 - 5pm, lunch is included.

From 6.30pm: Dinner (included for residential students).

Evening working - students may have access to workshops, but only with their tutor's permission and provided any health and safety guidelines are observed.

Last day

Classes 9.15am - 3pm, lunch is included.

Residential students are to vacate their rooms by 10am please.

(This timetable is for courses of more than one day in length. The tutor may make slight variations)

Course Materials

What students need to bring

  • Throughout the three days you will be working in the studio and, possibly, outside at times - please bring whatever equipment/clothing you feel is suitable to both situations.
  • The following list is provided as a suggested guide, please feel free to bring along whatever equipment is suitable to your practice:
  • - Any watercolour/water-based pigments of your choice - reds, blues, and yellows, possibly a black and a white. Any other pigments that you like to use.
  • - A range of brushes – large and small. Any other implements for applying pigments.
  • - A plentiful supply of papers or supports, in various sizes. Sketchbooks in a variety of sizes.
  • - Water container, 3B, 5B and 8B sketching pencil, water-soluble graphite pencil, gummed tape and/or bulldog clips. Palette, craft knife, putty rubber, drawing/technical pen(s), biro, and a writing pad/notebook and tissues/kitchen roll.
  • - Lightweight board, if required on location and a camera.
  • You may also want to bring photographs, postcards, magazine/newspaper images, illustrations, etc., if you think these might be suitable subject matter for some of your work.
  • No specific required preparation or reading is required but students may find it useful to have a look at any text about contemporary painting/contemporary art history (1960’s onwards). Any other text which extends your thinking about your painting practice, the medium of watercolour, and your understanding of what painting is may also be useful. Please feel free to bring these texts with you.

Available to buy

  • Available from shop:
  • Watercolour paints (a selection of tubes and pans in many colours - Winsor and Newton artist quality and Schminke). Brushes in many sizes and types, palettes, variety of papers and supports in many sizes. Sketchbooks. 3B, 5B and 8B pencils. Water soluble graphite pencils. Gummed paper, bulldog clips, craft knife, putty rubber, drawing/technical pens, biro writing pads and notebooks.
The College has a ready supply of large drawing boards, suitable for studio use. Easels for use in the studio as well as sketching easels and portable chairs.

Tutors

Steve Humble

Steve is a professional artist and educator, whose practice spans over thirty years. Combining self-taught technical knowledge with an M.A. in Fine Art (York St. John) Steve is an elected Fellow of The British Watercolour Society and The International Guild of Artists.

Accommodation

Residential option available. Find out accommodation costs and how to book here.

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