An introduction for all painters to the building blocks that underpin the expressive possibilities of abstract painting including form, colour, painted paper collage, line, composition, space and narrative.
Understand the building blocks that make up the expressive possibilities that abstract painting can take on this stimulating and thought provoking hands-on course.
Through a series of demonstrations and directed exercises based on contextual and historical examples from artists including Mondrian, Matisse, Diebenkorn, Motherwell, Elsworth Kelly, Sandra Blow and Chris Martin, you will learn how choice determines outcome in abstract painting.
We will explore, form, colour, painted paper collage, line, composition, space and narrative. There will be an opportunity for individual tutorials which can help you to reflect on how this understanding can develop your painting practice further.
By the end of the course you will have gained an insight in to understanding how all painting is ultimately made up from abstract elements. You will have completed various expressive possibilities using acrylic paint and charcoal/graphite pencil on paper to achieve different outcomes. You will also have gained confidence in your ability to make choices in your painting process.
Arrival Day - this is the first date listed above
Courses start early evening. Residential students to arrive from 4pm, non-residential students to arrive by 6.45pm.
6.45pm: Welcome, followed by dinner (included).
8 - 9pm: First teaching session, attendance is essential.
Classes 9.15 - 5pm, lunch is included.
From 6.30pm: Dinner (included for residential students).
Evening working - students may have access to workshops, but only with their tutor's permission and provided any health and safety guidelines are observed.
Classes 9.15am - 3pm, lunch is included.
Residential students are to vacate their rooms by 10am please.
(This timetable is for courses of more than one day in length. The tutor may make slight variations)
Robert studied painting at Chelsea School of Art and has been a
recipient of a bursary from the Pollock Krasner Foundation, New
York. He has taught artists throughout the film and broadcast media
industries and is a mentor to local professional artists.