The deadline for applications for 2019 entry is 1 March
The Graduate Diploma in Fine Art is a one-year interdisciplinary programme designed to provide a route into postgraduate study. As a concentrated form of an undergraduate degree, the programme gives graduates of other disciplines the opportunity to transfer existing skills to the study of Fine Art.
The content of the programme is focused on the integration of
three domains of study essential to the successful development of a
sustainable studio practice: Practical, Theoretical and
Professional. Each of these domains is developed through
specialised Study Units undertaken throughout the academic year,
including studio practice, a programme of workshops and lectures,
as well as professional development opportunities.
As you progress through the programme, you can work across disciplines or choose to specialise in areas such as Painting and Drawing, Sculpture, or Tapestry and Textile Art.
You can expect
(Subject to re-validation)
You are taught through a combination of lectures, seminars, practical workshops, individual and group tutorials, critique sessions, oral and written presentations, and external visits.
On the Graduate Diploma you typically have around 13-14 contact hours per week, typically consisting of:
When not attending lectures, seminars, workshops or other timetabled sessions you will be expected to continue learning independently through self-directed study. Typically, this will involve working in the studio, developing supporting material and research portfolios, undertaking research in the library, reading journal articles and books, working on specific unit assignments, and preparing presentations and self-assessments.
Graduate Diploma: 40 per cent of your time is spent in scheduled teaching and learning activity
Scheduled teaching and learning: 480 hours
Independent learning: 720 hours
All full-time Fine Art students are provided with a large individual workspace in the Edward James Studios. In addition to specialist spaces dedicated to Painting and Drawing, Sculpture and Tapestry and Textile-based work, the studios also include Seminar Room, a materials and tool store, a small photographic darkroom, bookable exhibition and research spaces, plus an IT suite with digital editing software. A self-contained Print Room offers specialist facilities for etching, aquatint, monoprinting, woodblock and linocut. Students can work on a large-scale in the Sculpture Courtyard, which is also suitable for work in stone carving.
Students are encouraged to collaborate with other College departments - particularly the full-time programmes in the School of Conservation - making the most of the wide range of specialist knowledge, materials and equipment that is available. The Short Course programme also allows students to access a wide range of visiting tutors and specialist techniques that can further enhance their studies.
West Dean House and Estate offers students access to ambitious exhibition opportunities and unique research material. Students are able to submit site-specific proposals throughout the year and are encouraged to take part in the annual Open House event. The Edward James Collection is an outstanding resource for full-time students, given them access to a range of significant, even iconic, works of art as an ongoing source of inspiration and research.
The College's Arts and Conservation Library gives students access to thousands of specialist books, journals and databases to support their studies.
The Main House also contains West Dean Tapestry Studio, one of the world's leading producers of hand-woven tapestry. As well as having close contact with the expertise of Master Weavers and designers, students have access to the studio's Dye Rooms, a specialist facility for the dyeing of yarn. Find out more about the professional Tapestry Studio here.
The following qualifications will be considered for entry on to the Graduate Diploma programme:
English language: CEFR (Common European Framework of Reference for Languages) Level B2 or IELTS 6.5
Includes study trip costs of £400 which typically includes
tailored visits to collections/exhibitions of specific interest to
the programme of study.
Accommodation and living expenses are additional, available on request.
Student Scholarships and Bursaries
Approximately 60% of students receive some form of funding. Find out more
The Artist-in-Residence programme sees a series of professional
artists living and working onsite, amongst Visual Arts students.
They offer tutorial sessions with students as well as public
presentations on the work produced during the residency and their
Find out more
Visual Arts Subject Leader, Dr. David R J Stent is an artist, writer, curator and musician. His diverse practice draws on various media including drawing, photography, digital and print publishing, film and video, sonic and sculptural installation.
Philip Sanderson studied both at Middlesex University and the Royal College of Art before joining the Professional Tapestry Studio at West Dean College in 1993, and his current role is as a Master Weaver Designer. Philip has designed tapestries for numerous clients, notably for the New Parliamentary Buildings in Westminster.
Sarah Hughes is a Subject Tutor and Curatorial Assistant at West Dean College on the full-time Visual Arts programmes. She is a practicing artist, performer, and composer, working across sculpture, improvised music, composition and publishing.
If you are interested in applying for this course or would like further information please contact admissions either by enquiring online or calling the number below. To make your application you will need to download and fill out our application form.