Tracey Sheppard
I like to give students a range of learning inputs in an informal environment. As much practical, hands on experience as can be squeezed into the allotted time. Plenty of demonstrations illustrating specific points. Group work with discussions, sharing the positive and learning from the negative. I hope to encourage experimentation and exploration. There is always strong emphasis on the importance of good original reference material, and of carefully considered design.
What will students gain if they come on one of your courses?Students will gain the confidence to explore and experiment. They will also receive an insight into the infinite possibilities this medium offers.
Are there any particular techniques/processes you use in your teaching?Individual tuition features strongly, giving students the opportunity to progress at their own pace. We will spend time on technical aspects where confidence needs building. There will be group demonstrations when everyone will have the chance to observe and ask questions. I like to encourage all students to realize that nothing is insoluble.
What inspires your own work?A passion for the natural world, a love of architecture and a delight in words and well designed lettering. And of course- a deep fascination with the magical qualities of glass!
Where can students see examples of your work?On my website: www.traceysheppard.co.uk. In a number of churches including: Winchester Cathedral, The Minster at Ilminster, Romsey Abbey, All Saints in Fulham, St Michael and All Angels at Thursley, and St Jude's in Southsea. In various public buildings including: Dyrham Park near Bath (National Trust)
Where did you gain your training?I was taught glass engraving by Josephine Harris in Adult Education classes whilst also studying for a BA Hons. in Fine Art and English Literature. I have worked as a glass engraver for 30 years making pieces both to commission and for exhibition. I was elected Fellow of the Guild of Glass Engravers in 1987. I was Chairman of the Guild for four years and am now the Hon Vice President.
What teaching experience have you had?Twenty-six years as a tutor in Adult Education. Twenty-four years at West Dean. Twelve years demonstrating at Art in Action. Visiting tutor for various Branches of the Guild of Glass Engravers.
Is your work in any public or private collections?My work is in a number of private collections. Pieces have been presented to Her Majesty the Queen, the late Queen Mother and the Sultan of Oman. My work may be seen in a number of churches and public buildings ( See list above)
Have you written any books or had any articles published?I have contributed to the following publications: The Techniques of Glass Engraving- Second Edition. Peter Dreiser and Jonathan Matcham (Revisions by Peter Dreiser –Assisted by KatharineColeman) Published by A and C Black. ISBN: 10:0 7136 7516 0 ISBN: 13 978 0 7136 7516 0 Glass Engraving Drill Techniques. Stuart and Shirley Palmer. Published by Batsford. ISBN: 0 71346008 3 Engraved Glass- International Contemporary Artists. Tom and Marilyn Goodearl. Published by Antique Collectors Club. ISBN: 1 85149307 7 For Your Tomorrow- British Second World War Memorials. Derek Boorman. ISBN: 0 9513654 28 I have also contributed a number of articles to the Guild of Glass Engravers Newsletter including, most recently: The Guild of Glass Engravers Winter Special Newsletter 2009/10.
Professional groups and societies:Fellow of the Guild of Glass Engravers. Brother of the Art Workers Guild.