Howard Fenn

Serious, fun and setting challenges appropriate to the individual is how I teach.
What will students gain if they come on one of your courses?
They will gain an insight into silver and its material qualities plus an introduction to (or improvement of) the skills required to produce well made objects.
Are there any particular techniques/processes you use in your teaching?The teaching of the technical aspects of silversmithing such as forging, planishing, inlay etc, are combined with a group experience and discussion of work achieved at key stages plus an understanding of the importance of design.
What inspires your own work?The simplicity of line, form and function are central to my work. And architecture and sculpture also influences me – particularly when combining silver with other materials such as glass, wood or stone.
Where can students see examples of your work?Visitors are welcome at my workshop, work is always on display. It also can be seen on the Goldsmiths Company website: Who’s Who in Gold and Silver. I have pieces in public and private collections including the Silver Trust at 10 Downing Street, Birmingham Museum & Art Gallery, Aberdeen Museum and the Goldsmiths Company collection.
Where did you gain your training?
I trained at Sir John Cass School of Art (now part of London Metropolitan University) for 4 years gaining a distinction in Silversmith, Jewellery and Allied Crafts. I then worked for a year for the silversmith John Norgate before setting up my own workshop in 1979. I combine designing and making a wide range of work for private and corporate clients.
Teaching experience:I have taught for 30 years including degree level at Sir John Cass College of Art and as a guest lecturer at Epsom College of Art , RCA, West Dean
Have you written any books/had articles published?I am currently writing a book on silversmithing techniques which is to be published in 2010 by The Crowood Press.
Do you belong to any professional groups/societies?I was a founder member and first chairman of the Association of British Designer Silversmiths. The association is now known as Contemporary British Silversmiths and I continue to be an active member.
